28 years later It is never “scary”, but it is constantly uncomfortable. Director Danny Boyle, He helped to make by returning to franchise Together Author Alex GarlandThis latest zombie tells the story with one Right and engrossed film production Style that also makes the most worldly actions unstable. To pass through the forest. A splash of water. The rise of the sun. You will never jump out of your seat, but you will be on its edge all the time, and we think it is completely more beneficial.
Set, you guessed, 28 years after “anger virus” United Kingdom captured at 2002 origin, 28 years later Center on a good, disturbing family living in a safe, isolated community. While the mainland is filled with infected and separated from the rest of the world, this place is only visible for a few hours by a small walking route. In this way the youth spike (Alfi Williams), his mother Isla (Jodi Comer), Dad Jamie (Aaron Taylor-Jonsan), and the rest of the bustle, happy communities have been safe for decades.
For a good third 28 years laterYou do not know what the story is going to happen. We follow Jamie to take Spike to the mainland for the first time, which is as a way to present us in a big way as people and the world. They look at slow, fat corpses and sharp, fit corpse, and even if the film takes a good time to reveal itself completely, it is constantly attractive to our interest and uniqueness of characters in the world. We want to learn and see more about it.
It is also influenced by Boyle’s film production, which brings back many of his trademark techniques-junk cuts, pulse-pounding music, sound, and purposeful B-Rol-a clearly to create a clear restlessness that also works to your brain. We are looking at a father and son Bond, but are also thinking about this world from a crowd of different angles, all of them dreaded our nails. This is a powerful combination.
Eventually, the film gets a focus, and it includes the character of the Commerce, Isla. He is ill, and Spike is desperate to find his help, which takes him to a new adventure. Here is where both the coma and especially Williams really flex the muscles of their acting. Williams can be just a child, but he is a dynamic appearance and easily bears the film. However, once they focus on, 28 years later Shifts a little. Boyle’s hyper-neergatic style dials back, almost unlike son and father with more nutritional relationship between mother and son. It is here that both of us get to see Spike and Isla in a different light, but it is enough for a change that it is not immediately harmonious.
Something that keeps everything harmonious, however, is action and violence. You cannot have a film filled with stress and fear without some payment and Boyle gives us a lot in the film. Large battles, exciting chase, and quick moments of intensity that all come to a moment notice. In addition, there is a hit at any time – it is human or zombie – it is handled with care. With each gore murder, the film slows down to a beet, and even throws into a freeze frame in the moment of death, that’s why we understand the value of life on both sides. It is a fun and effective tool that is used throughout and you really feel that you are in the hands of a filmmaker, in which you have to say something.
Later, through the circumstances that deteriorate a bit, the mysterious Dr. in the Ralph Fiene story. Calson is included. Kelson’s story is an attractive, which gives a new view to both the film and its world, which brings Fynene to life beautifully. His introduction is also another shift in the film, it is an almost spiritual existence. It is welcome, it works, but it again adds the slight inequality of the film, when we have appeared for the story of mother and son.
This is really only the negative side 28 years laterThe characters are fantastic, filmmaking film is breathtaking, action is intense, and the story is emotional. It is just so ambitious that there are only a few moments on the way where they are feeling the shift film a little dissatisfied, almost as you made the channel something new. Anytime this happens, however, after a few minutes of confusion, we come back because everything else around it is so good.
There are also scenes and ideas in the film that I don’t think I have ever seen in a zombie film before. What would you do for an ecosystem 28 years without humans? Can there be human mistakes at that time? What, if any, human symptoms still take the corpses with them? Is there a zombie peking order? 28 years later There is a fire on all cylinders continuously, but then also hits you with a moment or idea that pushes things to a new level, and you almost want that there was a whole film.
28 years later Your specific zombie is not a film. The corpse in this world is an unfortunate, undisputed reality and, during 28 years, they have developed, as in the form of living humans. As a result, everything is a more base, feels reliable about it, which makes it more thrilling. Boyle and Garland then allow us to detect this world and its characters, which make us interest, guess and entertain at the same time. While the end is not strong like the rest of the film, thankfully, it is the first film of a proposed trilogy, out of which the second is out in January. We can’t wait to go back. There is still a lot to chew.
28 years later Open on 20 June.
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