Elegance has been one of the main recurring subjects in men’s collection. Many designers are battling with it what it means to wear clothes with ease, sophistication and spontaneity in a post-world, post-coved world. Soft tailoring, glitzy ornamentation and pajama silhouette are ignorant.

A brand for which elegance is not just a trend, but part of its DNA, which is the bed JW Ford, whose Fluot and romantic tailoring is throwing clothes wearing clothes since its debut show in 2016. Building the theme of the previous season of “alternative elegance”, this was a continuity of exploration of elegance render of tight spring Shinpai Yamagishi.

Asked what the designer smiles for him in his bizarre presentation in Le Maris today, the designer smiled. “This is a very difficult question for me to answer,” he said. “I have been searching for it for a long time. I have a strong desire and an image of elegance for it, but when I am asked what it means, I run away.”

To make that image a reality, he took inspiration from the easy apathy of the normal rockwell. “When I look at his pictures, I think even though I haven’t experienced, but they feel indifferent and happy, I aims to channel that mood in the collection,” he said. It was translated into a relatively parades back (for at least for Yamagishi) and Bijo collection, which included oversized flocked denim jackets, softly paved tailoring, and a channel tweed-inspired jackets that were made of knitted black cotton. The bed thrives JW Ford Glamor, metalic brocade scarves, shiny socks and a blow of scarlet tailoring.

There was some completely new polka dots for the brand, which appeared on Nekatai and Srasar shirt. Nearly inspections revealed that each small dot was thick around the edges, as if they were ready with each hand. Elegant actually. What Yamgishi does not say with words, he says with clothes.