Lorenzo Serafini’s early February was entitled to progressive romantics in the brand as the successor of Alberta Phariti. For this resort follow-up, he expanded beyond that early point, both of them broaden and established long-established and refined their dialect of hyper-fiminin language.

On the rail, Serafini contacted a designer in a dress with practical expertise in the dress, which is proficient in the mechanics of dressmaking and whose primary idea is a user-experience. “This is especially good, as it is stretch and cut on prejudice, so it is very comfortable. And it is interesting opposite in the bright in the fabric and matte in the lace.” Then we stopped at a white dress with ruffles and waist on the neck, which was cut into the mohair of knit in the air, from which a skirt of fine mosque Ivory lace fell: “It opens in something interesting below the waist, but also easy to wear volume, and is also fit for the body, but it also fits on the body, but also it is super flexible and forgiveness,” he said.

A spaghetti with vegetation details cut the gown both a zingi lemon yellow silk into both simple and rich. Serafini said that with a recent visit to the Middle East, conversations with customers around the world assured them that the main mission of the brand was to give “beautiful, highly considered clothes”. Their observation was that customers who are willing to wear small pieces prefer to be more structured, while those who have clashed for a long time enjoy seeing the liquidity and movement in clothes. Both were completed in a series of pieces that included the pharytty-signature florals as a hand-drawn image for vegetation and tulle on the tulle. Metallic Micomesh pants and dresses made dotted with small rhinestones, making the wearer a bouquet.

This collection also saw him to detect stitching in a lubrication, currently a traditionally more fit avatar in fashion, against which he suggested that he wore an ornately built but unknowingly fed blouse and tops. The shoe offering included scrench patent ballerinas, pastel horsito driving shoes, and a chic sandals with a woven cotton toe that spread to the ankle side to the ankle like wings. Pants and outerwear in brightly coated linen, some denim pieces (individually a category of serafini), and correct cargo pants, all in crisp cotton were removed from wearing specially applied details from wearing military and utility. “I think you have to think about utility and purpose when you are in fashion,” he said: “This is an important part that wears some beautiful satisfactory for the wearer.”