Coon depicts an entertaining picture that Guilded edge The set of camera is like, how he and the speaker replaced their button-up New York City, replaced Egos and compare notes on the latest vague rabbit holes that they are down.

“We are both supertinted in the supertinted dorsade appea [world] Reveals, “She says about her latest random, how to share.” I like to talk to him about that stuff. He is my favorite- he will say, ‘I read another Doomsed Preapping Book, which I advise.’

But there is something else for Russell’s appeal, apart from his chemistry, George’s devilish looks good, and the easy-to-after-for-after-for quest to in the incharge and angeed a snobish, the old social class. The pair has an undisputed appearance and a maturity about them that reads as reliable, convinced and powerful. Trying to clarify this abstract quality, I repeatedly return to the sound of cone, which takes another time before the invention of “Um” or Vocal Fry. It is so special that the actor – originally from Ohio, where, says, “We make sounds like pirates” – sometimes they are identified with his voice alone.

“They first hear my voice, and then they whip around and say, ‘Nora Derst?” Garbage Fan in the wild. But she did not always speak like this.

“My voice was trapped in my head and my upper body,” cone. “The work I have done on stage and in large homes and after working with voice teachers, later helped me stop my voice in my body, and it gives you great rights.

“I especially tell women, and actresses,” If you are talking like this in the voice of your little child ” – then some octas jumps and frys from the nose -” It’s not a threat. You don’t have any power. You are giving all your power in every room. “

Growing up in a small midwestern city as a child between five brothers and siblings, Coon did not dream of becoming an actor. Or rather, she says, she did not understand it as a possibility. He was not a child of a music theater, either – “I could not walk and sing at the same time” – and not to learn to use my voice until much later in life, graduate school and beyond. Till date she meets her voice coach before returning to the role of a platform.

She says, “I started to understand how important it is to raise a full voice as a woman.” “You see women in the state of power that do not raise the voice completely, and this really makes their work difficult.” Coon attends a speaking workshop, where she was one of the two artists – the rest was professional in other areas.

For the berth, the cones takes its voice one step less, which is an ideal complement to the speaker’s own boom. “It loves friends when setting,” she says about her commanding bello. “He is like a man who wants to be in a way. It is very funny.”

I suggest a podcast, a demonstration of their stage-informed talents, and Coon tells me that they have already thought. “I don’t remember why we didn’t decide to do so,” she says, then laughs. “Maybe because it was inadequate – it was inadequate, as if our lives are. We are aware of how inadequate our life can look from outside.”