Emilia Wiksted’s resort lookbook opens with a model, which has an expression of abnormal conflict on her face: her sleek-back hair and button-up coat dress molds the line between Ladlik and Tombish because her mouth opens to speak-or also gives you a rigorous dressing. “I think my collection is standing for myself this season,” Wiksted explained. “He is a little more rebel and loud.”
Wiksted for the collection was a jumping-off point Alfred Hitchcock Head of headThanks to the Glamor of the 50s of Edith Head designs for the main character of Kim Novak, a perennial source of inspiration for designers of all stripes. (Or is it two letters?) Still where Head of head “How a man becomes obsessed with a woman, and the way she looks and wears clothes, and then wants to convert another woman into herself,” tells a story of “a story, as Wiksted said it clearly, the designer’s carrying on that basis came up with some other layers. First, she indicates her determination on the transformative power of the dressing, which may probably be related to fashion designers; And second, his interest in turning the tables, so that its version of Novak is completely more as Judy. Wiksted said, “She is loud in her feelings, and how she speaks, but also loud how she wears clothes,” also note that she deliberately went to a arrest of primary colors for the background to show clothes.
Wiksted has a clever ability to take colors and prints, which in less experienced hands, can feel a little loud (especially for the business world and art of professional women for their customer base) and can re -work in them immediately and wearable. The mixture featured her signatures Chinti Floral Day Dresses, yet the collection looks the most cutest, including different different different things with different different things, such as a blue button-down peaking collar was paired with a check skirt, or a fierce weeter sweater above an oversized dark green coat. It is not to say that there were not many killers in the evening gowns, it is more grand for some wicked. A special standout was a dazzling gold metallic jacquard floor-sweeper, trimmed with beaded swag sleeves across the shoulder. “Even with those more glamorous pieces – I do not like to use glamorous words, to be honest – I wanted to play a lot with deformation and movement,” said Wiksted.
Some stranger and more deformed styling details brought it back as a dark underbeli with that initial source of inspiration Head of headMost attractive polka dots were pieces made of layered organa with dots, which were severely taunted and deformed as various pieces of fabric carrying beyond each other. “I think it is about duality, confusion, passion, change – they are the major words,” said Wiksted. His clothes always meet the eye first.
