La Cambre in Brussels is definitely the closest thing for fashion students to utopia on Earth. Funded by the Government of Belgium, it is almost free, and even non-European Union students pay 4,174 euros annually (compared to thousands of people compared to a US and UK students.) It is not a concentration that makes the La Kambare Modes Fashion Department as an educational phenomenon. This is a dizzy number of alumni name-to-Kawjor, who have studied in school under the Tony Delkampe, this cool, beautiful Belgian city is set in the 13th century Abhay. Names such as Mathyu Blaze in the channel, Anthony Vacarlo in St. Laurent, Nicolas de Fellis of Courtrage, Julian Dosena in Raben, Julian Clusnar in Driz Van Noten. Marine Sere, Ester Manas, Louis-Gabriel Nuchi, and Mary-Adam Lanardate are not mentioned, which are all making a mark with their own businesses.
Everyone in the industry is wildly curious for the divine, what kind of sorcery happens here. This year was the name of buyers, curators, designers, headheators, PR, veteran Belgian makeup artist Internist Ins Gogard and an international jury of editors – one of them to see the 2025 orbit. There were only 12 of them. Often, you understand a stretch running through a square. This year, a lot was used with many surfaces, forged, captive silhouettes, bodies were submerged such as furniture, carpet or vehicle upholstery. Human form merge with inanimate objects. Not much sex or sexuality is involved.
Nevertheless, as often happens, the subjects, research and techniques of students became much more alive – and amazing – from the runway and in conversation.
French student Theodora Hadz warts Lube created a collection based on the idea of a sebot, which combined with wooden veneer strips delicate, combined with hyper-pheminine florals. “I thought that living life is like being on a boat. It is very personal,” he said. “I had such a metaphor that it was a very beautiful way to live.” He created a parallel between corsetry and boning and the curves of a ship’s hull, an incredibly mildly fabric and wooden laminate.
He won the top points of the year. “I knew that I would have to come to La Cambre,” he said. “I need to learn techniques, and love the school seriously. I really hurt when I was doing so.” The head of the faculty, Tony Delkamp, would be pleased to hear this. Technological innovation is pushed into school – a kind of specificity of developing ideas that will always result in fashion ideas. “In many schools, I think today, they say that they have to express themselves, whatever to do – something that is not related to clothes,” said Delkamp. “But here our goal is to make clothes, new ways of thinking, new versions of clothing and finishing, this is what we think is most important.”
