This season’s conversation print in Rachel Comi is a rough ticket that has been stamped with the words Good Times. He also blew it up to superside ratio, so the major impact was almost abstract. None of these pieces made a lookbook, but the spirit damages these resort clothes. Comi has made himself a cupboard staple for creative classes of Los Angeles from New York, which not by making everyday staples, but by adding a dash of offbeat and craze for those everyday staples.

If these photos take into account the Little AD in the gray garden, it is not completely casual. He was photographed at Seramics Studio of Gartrud Vendorbult Whitney in Rostrin, New York. (Wanderbilat Whitney Whitney was the founder of the Museum of American Art.) “It is not touched,” Comi performed miracles of the studio’s mosaic stone floors, wall walls and empty kitchen wardrobe. “In this way it is like a gray garden.”

Naturally, there is an air of art-loving icoclasts for fabrics. Clashing Intarsia Nits of the opening look and Country Club-Isa 1980s Kashidakari Corporoy shirt, brush Mohair Man’s coat and bedroom worn with bedroom slippers, a seafomes green gown, or printed and pintcged blouse collided with a long narrow skirt, which is fulfilled with a rhinestone brushing See

Comi’s signature – or one of them, at least – the way he marries with “walnuts, novelty” details, which is emerging. Examples of this season include a quilt -made barn jacket and car coat with a deep -delete fur fur muff in the wrist. A shear jacket with gold polka dots, such as someone dubbed it with a paintbrush, was a surprising sales last year; The update of this season is a curly hairy shear with ribbed knit collar and sleeves.