Since emerging at the scene, the docch is known as its viral hit for its generous style-from Cool-Gourl Miu Miu at Gramis at the Beat Awards, from Thom Thom Thom Brown to The Beat Awards. But for the start of wrappers and singers Glystonbury The attendance, which saw the headline of the West Holts Stage on Saturday night, was only a designer who used to fit the bill: Vivienne Westwood,
“This is this prestigious British festival, so we really wanted to use a reputed British brand,” says Doche’s Australian-born stylist Sam Wolf. Circulation From Bristol to the phone (“I don’t know where he is!”), One day before the performance. “We were both like Vivian Westwood is not a brain – he has always been a brand [Doechii’s] He used to love continuously. ,
For the opening look, the pair-the “who talks every day”-to express the idea of ”Docch’s School of Hip-Hop”, the theme of her Glstonbury set, the singer reached the stage with her fellow classmates (ie her backing dancers dressed in Vivian Westwood), ready for class. The Wolf singer’s Tarton Miniskirt says, “Essentially, Docch is participating in hip-hop school, and we have done so that he says about a very fun, fun and sexy way, a very camp Vivian Westwood Way,” Wolf singer’s Tarton Minusk, which is a Tutu Bustle, and Cropd shirt. “It’s about the personality; expressing yourself – every dancer is in a different form.”
Of course, it will not be an outfit change or Glastonbury without two, the second look of the docch is certainly the most prestigious of all of them: a remake Kate MossVivian Westwood’s Spring 1994 Cafe Society Collection In association with Micro Mini’s striped mini, a Brolet was shown as a nipple pastes (Moss became topless on the runway famous). “It does not do much,” laughing at the Woolf of the lack of bust support offered by the piece. “We wanted to bow down to this sexy office siren girl.”
The super of another ’90s provided inspiration for the final look: Naomi CampbellAnd especially striped top and matching pants that she also wore on the spring 1994 runway. “We really wanted to do something cool and prepy but still sexy,” Wolf told about the Easter eggs introduced to fashion fans. “This is not like ‘Oh, it is more liked, it is more like, if you know Vivian Westwood and History then you know it.”
What else can be more suitable for a dacoitable form debut than paying tribute to two of the two most famous fashion exports of the UK? “We thought this was the right time to refer to Kate and Naomi,” says Woolf. “Obviously, Kate is a reference and style icon [at] Glastonbury. “Who knows, perhaps the super was also looking at the VIP area, after 30 years he took the runway, a magnum licking.
