One thing that the designer was set was incorporating tatries, or traditional Palestinian Cross-Stitch in its design. “This is something that is actually, in fact, part of our culture for a long time,” designers say. “When you look at old Palestinian clothing, they are always tatriies on them. Each formation represents something-you can essentially see a Palestinian piece, and based on the cross-stitch, tell where the woman is, where she is a cross-stitch, where she grows up-she tells a story.”
Protecting craft is important for Sobeh – who moved from Gaza to Manchester as a child – especially in the context of the ongoing displacement of Palestinians, long ago, as well as after 7 October. ,[Tatreez] There was something that a lot of women shut down their money, “She says.” So when nose [the displacement of around 750,000 Palestinian people in 1948] Hui, it was a great source of income that was lost to so many people, because [the challenges of] Importing cloth and thread. ,
