In addition to the graphic volt, it was a collection of gentle decree and thoughtful renewal from the undercover of June Takahashi. It noticed that the designer made delicate experiments with classic clothing dishes to indicate subtlely fresh wearable tastes: fashion fusion food.

The opening look mixed a workwear jacket and cuff track pants to a light white cotton, with a varietal specificity in the plate, seaming, collar shape and fastening. A black dress pants came with a folded white T-shirt that was hanging from the waist. Susnder straps peep from the waist of a black skirt. Denim jackets and pants were produced by an asymmetric patchwork collage of fabric, which was attractively created by the irrational fit.

Some fun piano key stripes were played across a slash back T-shirt lying on a silk blouse or a jersey was panel in the shoulders of the cardigan. The characteristic of a striped shirting fabric and the shirt manufacturing details in the yolk and hem featured a pleasant contemporary options for those interested for pajama dressing. Mixed material Heming made a trump lie -mark of layering on a denim shirt, while broadly replaced the signature of his silhouette, tracing a hood hood, tracing the hood of chopped inserted inserts arms and hood. A brocade insert surprised lightly in a MA1, while the outline of a corsed LBD was more directly arrested within the mask of a maroon shirt.

A horizontally convenor T-shirt, impure fur front and jersey panel-backed jacket, and Viscose reduced the pleat-inrted camp collar shirt in the final stages of the collection. It was defined by a condolence floral print, spliting with some fragmented apparel samples that we had already seen with Takahashi. Slowly with erotic black suits, the weather turned black.